Forma

Zad Moultaka


Zad Moultaka, born in Lebanon in 1967, lives and works between Beirut and Paris. As a composer and visual artist, Moultaka has been exploring these two worlds for many years, seeking to harmonize musical and visual research. At the invitation of major festivals, he has created: Zàrani (2002), Nepsis (2005, based on a poem by Etel Adnan); La Scala del Cielo (2006); L’Autre Rive (2009); La Passion selon Marie (2012); Il Regno dell’Acqua (2013); Hummus (2014); and La Passion d’Adonis (based on texts by the exiled Syrian poet Adonis, 2015-2016). As a visual artist, Moultaka has regularly exhibited his work in Lebanon, Venice, and Paris, including at the Institut du Monde Arabe, and in the framework of Nuit Blanche. In 2017, Moultaka created ŠamaŠ, a monumental visual and sound installation for the Lebanese Pavilion at the 57th Venice Biennial. Moultaka is represented in Beirut by Galerie Janine Rubeiz.

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Zad Moultaka


Zad Moultaka, born in Lebanon in 1967, lives and works between Beirut and Paris. As a composer and visual artist, Moultaka has been exploring these two worlds for many years, seeking to harmonize musical and visual research. At the invitation of major festivals, he has created: Zàrani (2002), Nepsis (2005, based on a poem by Etel Adnan); La Scala del Cielo (2006); L’Autre Rive (2009); La Passion selon Marie (2012); Il Regno dell’Acqua (2013); Hummus (2014); and La Passion d’Adonis (based on texts by the exiled Syrian poet Adonis, 2015-2016). As a visual artist, Moultaka has regularly exhibited his work in Lebanon, Venice, and Paris, including at the Institut du Monde Arabe, and in the framework of Nuit Blanche. In 2017, Moultaka created ŠamaŠ, a monumental visual and sound installation for the Lebanese Pavilion at the 57th Venice Biennial. Moultaka is represented in Beirut by Galerie Janine Rubeiz.