Song for Armageddon
Nick Crowe and Ian Rawlinson
2017
Armageddon is a place in northern Israel that lends its name to the end of the world. A UNESCO World Heritage Site known by its modern name Tel Megiddo, Armageddon is thought to have seen more battles than any other location in the world, and dominated the the crossroads of ancient trade and military routes linking Egypt with Mesopotamia.
A hellish sodium-lit environment provides the setting for Nick Crowe and Ian Rawlinson’s video installation, Song for Armageddon, shot on location at Tel Megiddo and made in collaboration with Israeli composer Ophir Ilzetzki. Over one night, a group of workers endlessly set out and wipe down thousands of chairs to create a large auditorium for an unknown audience, waiting for sunrise.
- Touring
—22 – 27 October 2018
Glasgow Cathedral, UK
More infoFor further details on our touring portfolio please contact Rachel Cunningham Clark rc@forma.org.uk
- Premiered
—21 – 24 September 2017
BALTIC Centre for Contemporary Art, Gateshead, UK - Credits
—Song for Armageddon was created by Nick Crowe and Ian Rawlinson in collaboration with Ophir Ilzetzki in 2017. Cinematography by Martin Testar. Commissioned by Forma and University of Salford Art Collection, in association with BALTIC Centre for Contemporary Art. Produced by Forma. Supported by Arts Council England.
Nick Crowe and Ian Rawlinson, Song for Armageddon 2017 (still). © Nick Crowe and Ian Rawlinson. Courtesy University of Salford Art Collection
Installation view, Nick Crowe and Ian Rawlinson, Song for Armageddon 2017, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom. Photo: Colin Davison
Installation view, Nick Crowe and Ian Rawlinson, Song for Armageddon 2017, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom. Photo: Colin Davison
Installation view, Nick Crowe and Ian Rawlinson, Song for Armageddon 2017, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom. Photo: Colin Davison
Installation view, Nick Crowe and Ian Rawlinson, Song for Armageddon 2017, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom. Photo: Colin Davison
Installation view, Nick Crowe and Ian Rawlinson, Song for Armageddon 2017, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom. Photo: Colin Davison
Nick Crowe and Ian Rawlinson, Song for Armageddon 2017 (still). © Nick Crowe and Ian Rawlinson. Courtesy University of Salford Art Collection
Nick Crowe and Ian Rawlinson, Song for Armageddon 2017 (still). © Nick Crowe and Ian Rawlinson. Courtesy University of Salford Art Collection
Nick Crowe and Ian Rawlinson, Song for Armageddon 2017 (still). © Nick Crowe and Ian Rawlinson. Courtesy University of Salford Art Collection
The artists’ largest production to date, Song for Armageddon engages with Tel Megiddo’s remarkable heritage but also elaborates on historical confusion between place and event. The film loops every 17 minutes, creating a powerful visual and acoustic meditation that culminates with a haunting performance by singer Faye Shapiro.
Nick Crowe and Ian Rawlinson, born in Barnsley and Macclesfield respectively, work collaboratively between studios in Berlin and Manchester. Working together since 1994, they are fascinated by spectacle and drawn to the ways in which power and authority articulate themselves, their works often combining densely layered visual and acoustic allusions to faith, politics, national identity and the environment.
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Background image: Nick Crowe and Ian Rawlinson, Song for Armageddon 2017 (still). © Nick Crowe and Ian Rawlinson. Courtesy University of Salford Art Collection